Category Archives: Culture

The Japanese Air Mall, or How to Store Your Unicycle

First, a big thank you to my translator. While I don’t want to embarrass her by naming her online, she was amazing, and way more modest than she should have been. In my time in Japan, she was not only an incredible resource, but, cliches be damned, she also became a friend.

And while I don’t normally go the “oh those kooky Japanese!” route with my posts, she introduced me to something that has blown my mind. The Japanese Mail Order Catalog.

You know those Air Mall catalogs you see on the plane when you’re desperate for something to read? Like that, but ten times better. Filled with things you never knew you needed until that very instant and why can’t you have it right now because you could probably use it even on the plane and why can’t you have phone access so you could buy and use it right then! I need to share the wealth.

More than just a set of crazy products, it’s a sneak peek into Japanese apartment living, smaller scale than the larger than necessary homes we tend to inhabit in the U.S. Who knows what one might need?

I could certainly use a pair of these for a New England winter, couldn’t you? Slippers and down legwarmers combine to make sure you calves and shins are well-insulated from any chill.

While it was practically balmy during my time in Japan, the obsession with warmth was clear. People were constantly asking me if I was cold, and each building was heated to the point of insta-sweat for those of us on our trip. Thus, a variety of products to ensure your warmth, no matter what the conditions.

That ever important region from your shoulders up to your neck, while sleeping. This seems to be a popular theme.

Some even come combined with your very own pillow and capelet.

How about a heated Lap Blanket for working at your desk, while sipping hot tea? And, by the way, my husband argues that I would totally use this. I can’t lie. I would.

There is wide variety of insulated warming blankets for your dining table, designed to ensure your culinary comfort.

The round looks kind of fancy to me.

This next one, my husband is kind of upset I didn’t find for him while I was there. In my defense, I didn’t carefully peruse the catalogs until I was on the plane. But next trip, I am bringing home one of these coffee makers. Who needs a French Press anymore?

Am I right? That coffee looks dark and yummy.

In fact, there are many enticing kitchen gadgets I’d like to buy from these catalogs.

If I could have purchased this pan, I think my son would be having amazing bento lunches. Alas, the poor child will have to suffer a bit longer.

Is this next one for haircutting? If so, I think the Lillian Vernon catalog must have something similar. Or did at one time.

And Hello? What family doesn’t need a way to store their unicycles?

This bed is simply genius, and I can think of many apartment dwellers who would pay the shipping from Japan just to get one of these in their NY studios. In fact, we are tempted to get rid of our bed just to have this storage capacity. And it’s a SUPER PRICE!

Of course, the catalogs also have Health and Beauty supplies, although I’m not sure what category this torture device falls under. Thoughts?

This one is equally disturbing to me. (And does anyone remember the glasses device Navin Johnson invented in The Jerk? The Opti-Grab?)

Finally, for today at least, amidst the goodness, this strange item. Who knew there were so many Deadheads in Japan?

If you need to see more, there are online version of these catalogs. Belle Maison and House Styling have plenty of goodies to send you down the internet rabbit hole. Sadly, no shipping to the U.S., but perhaps I’ll take orders before my next Japan trip. Anyone need some legwarmers?

Could Rody actually get heatstroke?

Not if he follows these careful instructions from the Tokyo Fire Department.

Is Japan cool enough for you? (And I don’t mean the temperature.)

What does it mean to be cool? And how can it be used for financial gain? These are questions asked by some in Japan as they look toward Korea, and discussed in this post in the Asia Society blog.

According to the Asia Society Blog, “An editorial in the Daily Yomiuri titled, ‘Time to capitalize on ‘Cool Japan’ boom‘ criticizes the Japanese government’s failure to turn Japan’s popularity overseas into economic growth.  ‘The government seems content for Japan to just be extolled overseas as ‘cool.’ However, we think the government has not tried hard enough, or been imaginative enough, in taking advantage of this popularity for the benefit of business expansion,’ asserts the Daily Yomiuri” (via)

The editorial urges Japan to look to South Korea as a leading example of a country who has made their coolness into a money-maker. Korean dramas, K-pop albums, and clothing lines are extremely popular throughout Asia and to a lesser degree in western countries. Japanese pop culture actually seems to be slightly more popular in the west and Japanese companies already have a reputation for producing high-quality products. It seems these factors would set ‘cool’ Japanese companies up for success in the west. Still, Japan isn’t reaping the full benefits of their perceived popularity.

In June, the trade ministry in Japan released its ‘strategy to promote a culture-oriented industry,’ which recognized the potential of ‘Cool Japan’ products and exports. Yomiuri believes that the government needs to get on board for this business strategy to be effective.

‘Japan should emulate the Korean formula of ensuring cooperation transcends fields such as fashion, movies, food and manga, instead of promoting business through separate government ministries and agencies. If the ‘fences’ between these government offices remain too high, the Cabinet minister and other politicians who head each ministry must step up and exercise leadership to make this cooperation a reality,’ writes the Daily Yomiuri.

What do you think? Is this the formula Japan should go for? Exporting coolness?

There’s no denying that Japanese products have an exoticism for Americans. I don’t argue that, but I think the appeal of Japan is more than that–at least I hope so!

Recently, I was invited to Japan-YAY! YAY!-by the organization Jetro, the Japan External Trade Organization. (Much, much, much more to come about that trip.) When I’ve talked with them in the past, one of the main questions they have for me is what Americans think about Japanese goods and why we’re interested.

My answer never really varies. I talk about a cool factor, sure, but I also talk about a commitment to quality, a great design sense, the fact that the products are distinctly different from what we’re able to get here and express a strong point of view. I DON’T talk about Hello Kitty.

My question would be what does it mean to capitalize on your coolness? Does it make you trendy and quickly passe? Does it mean your time is over when the next, cooler thing comes along? Who becomes the next big thing when the current big thing is over?

And how do you limit your audience when you focus on the cool? I know, for one, that with Korea, K-Pop just ain’t my thing. But if that’s what Korea can make money off of, is that to be the focus of the cultural exports? I think we can do better. (It’s the reason we say Japan isn’t just Harajuku and Hello Kitty!)

It’s interesting that Jetro has embarked upon a project called Cool Japan, dedicated to introducing Americans to the “undiscovered” Japan. “When most people think of Japan, they think of cars, Kimonos, and Karaoke. But there are still many more things to be discovered in Japan that Americans haven’t even heard of yet…“Cool Japan” …was created to bring you the ‘hidden gems’ of Japan that are still yet to be discovered on this side of the Pacific. We’ll introduce things like the coolest Japanese cuisines, fashions, and designs.” (via)

Hmmm-is this what the newspaper had in mind?

All that said, let it be clear that when I’m in Japan? Darn Tootin’ I will be looking for the coolest to bring back to you. Okay, enough rant for tonight. Tomorrow? More cool stuff. I promise.

Hafu Japanese

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How did I not know about this? Such a cool project, and right along the lines of Mixed, a book I adore.

Started by Natalie Maya Willer and Marcia Yumi Lise, who both identify as half-Japanese, Hafu Japanese is “an ongoing project that creates a dialogue about being in between cultures. By increasing discussions about culture, ‘race’ and ethnicity we hope to achieve a deeper understanding of these issues. For this reason we actively give public lectures and organise events.” (via)

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It’s not just about the images, although those are great too. It’s more about opening dialogue about what it means to be between two worlds.

Our shared interest in half Japanese identity inherently stems from our experience of being in between different cultures. Like many other half Japanese people we have been making an enquiry into our mixed cultural experience. This questioning of our own identity has its roots in our appearance and ‘mixed’ upbringing as well as how we sit in the racially designated society we live in.” (via)

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The project is still small, with a lot of room to grow. As the parent of a multi-cultural kid, a Korean-American being raised by two white parents, I understand the need for dialogue about how to marry the various worlds we are all a part of. I look forward to seeing how Hafu Japanese grows and opens that discussion.

Yoshitomo Nara Ain’t Nobody’s Fool

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I’ll be in NY next weekend, for the US Open (YAY!), and I’m hoping to have a moment for this-the new Yoshitomo Nara exhibit at the Asia Society.

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Split into three sections, Isolation, Rebellion, and Music, the exhibit promises a retrospective of Nara’s work.

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You know what I think could be amazing, and that shows how shallow I am? The Gift Shop. Oh Yeah.

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If you are there on the 9th, Celebrate Fashion Week with this event celebrating the latest of Tokyo styles-Tokyo Look. “Celebrating New York Fashion Week, this event highlights some of the latest styles and their cultural significance.” (via)

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Can you spend a bit more? Then go to the Gala Benefit celebration of the exhibit, on the 13th of September.

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When the dress style is Tokyo Cool, how could you possibly go wrong? (and remember, if you go-send us your review!)

 

Real People and their Real Lunch, Japan-style

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I have the afternoon hungries, and these photos aren’t helping. From Anna Gleeson, these wonderful images from a book she got in Tokyo.

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“this is a really beautiful book i found last time i was in tokyo. photos of people with photos of their lunch. makes me want to run away to find a life in the japanese countryside where there’s enough time and presence of mind to pack a beautiful lunch like this. the text seems to be about the people in the photos.” (via)

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I find these photos intriguing not only for their food content, but because I can spend time imagining what these people do for a living. The woman in the orange jumpsuit? Or the man with a stick and white hood? All of them with lunches whose sophistication far surpasses anything I scarf down at midday.

Send your kid their allowance-in Yen!

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I discovered something completely fun this morning, especially as we become increasingly Japan obsessed at our house, and are constantly talking about “things that will be good for our trip.” (Never mind that it’s a year away!)

This morning, I sent my son his allowance, in Yen. Japan-CC, or Japan Culture Club, lets you send any variety of email greeting cards to your friends and loved ones. How much money did I actually send him? I have no idea, but luckily, neither does he! With choices in background, and with you determining the Yen amount, there’s something inherently fun about it.

Not interested in the money? How about an emailed virtual trip of Japan, complete with photos? It’s the modern day Viewmaster! Choose the region you’d like to visit, plan your tour, and send it along-without the endless flight. Personally, I also like the fact that the photos all have a vintage, not really so scenic look to them–kind of like old industrial promotion videos from the 1950s.

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You can also email your wishes with a Virtual Shinto Shrine-with photos and sound effects.

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I’ve already sent my sweetie an Ai-Ai Gasa, or Love Love Umbrella, a symbol “Japanese sweethearts draw as an expression of their love.”

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The site is decidedly low tech, which is part of the fun. No fancy Flash or animation here. Just straightforward, simple images that kind of feel like a student’s computer class project. (And no ads either!)

Personally, I’m tempted to try every offering on this site. My name in Kanji? Sure! Invite my friends to a Virtual Japanese Kitchen or a Virtual Sushi Party? Why not? It’s all “educational” right?

World Map for Laughs

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I love the idea of Cool Ja-pon, a “book fair” happening now at the Yurindo bookstore in Akihabara.  The fair is a collection of 100 Japanese titles that don’t require you to read Japanese, and are “about niche topics that nobody outside of Japan possibly has ever written.

One criteria for the book selection is that the books “appeal to people who are interested in Japan and Japanese, foreign expats in Japan, and Japanese expats overseas.” Sounds broad, and it is, but isn’t that part of the fun?

Some titles I wish I could see in person?

Japanese Old Boombox Design Catalog – A collection of boombox designs from the 70s and 80s.

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World Map for Laughs: Funniest place Names that Actually Exist (and sound funny in Japanese.)

Men Who Did It All by Themselves – A record of men who tried to recreate movies scenes by themselves. (How awesome does this one sound??)

Kimokawa-kun – A Photobook of gross-but-cute animals around the world. (What could possibly be in this book? I am somewhat desperate to fnd out!)

If you’re in the area, the fair runs through the 30th of June. Now, I only wish they would find a bookstore here to host the fair stateside. (Thanks to GaijinPot for the tip.)

Korean Art Show hits NYC this weekend

If you will be in the NYC area this weekend, be sure to check out the Korean Art Show, run in conjunction with Armory Arts Week in New York. A showcase for some of the terrific contemporary art being created in South Korea right now, I’m delighted to get another chance to see more of the inspiring work we saw in Seoul last year. Here’s the details:

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Help Giant Robot

Here at Japanistic, we’ve been fans of the magazine Giant Robot for years. I can’t imagine it not arriving in my mailbox every month. (I have to confess that they have a unique ability to make me angry too. Every time I think I’ve discovered a terrific new artist, they’ve inevitably gotten there first!) Despite the value of their contributions to the discussion of Asian and Asian-American pop culture, the economy has hit hard. Here’s the post at Angry Asian Man letting us fans know it’s time to help.

It’s a simple fact: Giant Robot is an institution. For more than 15 years, since starting as a black and white, photocopied and stapled effort, the magazine has been bringing you the coolest and most compelling stuff in Asian and Asian American popular culture. Hell, it is Asian American popular culture.

Here’s the other simple fact: print publishing is suffering due to a variety of factors, from rising costs to everyone “going digital.” And unfortunately, Giant Robot is not immune. Last year was particularly brutal, and now, the magazine is looking ahead and taking action to survive. Basically, they need your help in a campaign to raise $60,000. Here’s how it breaks down:

We Need You, Here’s Why:

THE MAGAZINE

For more than 15 years, Giant Robot has been documenting, promoting, and growing Asian and Asian American popular culture. Although a lot has changed since 1994, and there’s more immediate access to interesting stuff from around the world than ever, most of it is still crap and Giant Robot is as relevant as ever. Not only do we share what we think is the most interesting, compelling, or just plain cool aspects of Asian pop culture, but we also shape it and affect how readers in America and other countries perceive Asian, Asian American, independent, and underdog culture. Our distinctive editorial voice and clear sense of purpose has earned a loyal readership that includes academics and punks; old-school Asian activists and new-school bloggers; art fans, moviegoers, music listeners, comic readers, and food fiends; and Asians and non-Asians alike.

And as the publication has evolved into a glossy magazine with a dedicated national following (with international distribution as well), so has the company’s business model. The unprofitable process of magazine publishing was bolstered with a series of like-minded retail outlets. After offering mail order and online sales, we went on to open locations in Los Angeles, San Francisco, and New York City. Our galleries and shops have not only provided a means of support for a horde of up-and-coming artists and indie businesses, but led the way for a generation of boutique/art gallery hybrids.

THE MOMENT

While diversification allowed Giant Robot to escape the fate suffered by many of our indie publishing peers in the second half of the ‘00s, 2009 was brutal. In addition to several distributors cutting out small press or folding altogether, paper has become more expensive and postage has skyrocketed exponentially. And while there has also been the support of loyal advertisers, the middle class of supporters has dropped, creating peaks and valleys in income that force us to live issue to issue. Complicating matters, store revenues and art show sales have suffered along with the economy, depriving the magazine of resources that allowed it to operate freely and thrive without the benefit or constraints of being part of a large publishing house.

Reducing pages, going from bimonthly to quarterly, or becoming an online entity are not options, and our editorial and production staff of two full-timers and two part-timers (intact since issue 18) is already as lean as can be.

And so, we are taking a series of actions with the intention of not only outlasting the economic downturn but becoming an even tighter operation with an improved publication. These steps include improving the content, explore printing and distribution options, and evolving with technology. We are also seeking help from friends.

THE MESSAGE

Although the idea of a Giant Robot Foundation is not new (a non-tax-deductible donation form has been included with subscription renewal notices for years now), this particular online campaign is. We believe that there are multiple generations artists, designers, bands, filmmakers, and travelers, as well as fans, students, and supporters of interesting culture who believe in what we do and want Giant Robot magazine to continue on its path without sacrificing quality, quantity, or independence.

We have done the math, and an infusion of $60,000 (hopefully more) will ensure another year of full, unfettered operation with no strings attached to a shifting media paradigm, advertising climate, sketchy distributors, and the economy — each of which we are not ignoring but addressing straight-on. In concert with the other measures (not to mention the realignment and recovery of our shops), we feel that Giant Robot’s future and its continuing impact of society will be secure.

If you have been affected or inspired by Giant Robot — perhaps even featured in the pages of the magazine — please help however you can. All support, both through finances and spreading the word, will be appreciated and make a difference.

I first discovered Giant Robot when I was in college. I was extremely excited to find a magazine that was covering “Asian Pop Culture and Beyond” with some attitude and an eye for cool — and best of all, they were doing it completely on their own terms. It was inspirational. In truth, without Giant Robot there would be no Angry Asian Man.

Times are tough for a lot of folks. But if you can lend your support, both through a donation and by spreading a word, please considering helping out. It’s hard to imagine Asian American popular culture without Giant Robot. To learn more, gohere. And to donate, go here.

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