Category Archives: Vintage

A Handmade Orange Cable Knit Suit? Heck yeah, hipsters.

My obsession with vintage books continues. Down the rabbit hole I go and into the “stacks” at Modern Classic. Books, magazines, cookbooks and more from a “Classic but Modern Bookstore.”

I love this Okusama series of cooking magazine images from the 1960s.

Vintage Japanese craft books? Yes, please.

Cookbooks with cute characters? Yup.

And vintage fashion? Oh Yeah Baby!

Don’t we all need a suit like that one?

Picture books too. This one feels reminiscent of one of my favorites, The Lonely Doll.

I am not sure what to make of these guys. But I like ‘em.

Trust me when I say that these books are worth some time spent on the internets. In fact, I am having to pull myself away because I want to look at EVERY SINGLE ONE.

If you find a personal favorite, let me know. I’d love to see it!

Vintage image craft papers from Yonagadou.

Thanks to 8Tokyo, I’ve discovered the beautiful papers of Yonagadu.

According to 8Tokyo, “Modern Japan Paper Reprints is a series of reproductions based on Japanese kimono from around 1910 to 1930 and paper from the 1960s.
The series features items such as postcards, stationary and wrapping paper, and the products can be used for collages or just enjoyed for their looks.”

Yes, I do enjoy them for their looks, but I would very much like to craft with them too!

Swans.


Love this Kokeshi Doll Paper!

This is my favorite. Modern and Retro at the same time.

Another favorite of mine. Birdies – So pretty.

Need some crafting papers of your own? We’ve got ‘em. Check out our gorgeous papers at Japanistic.

Button A to Z

A new site to enjoy from Japan. Button A to Z, an alphabet catalog of button styles, button brands, and button types. For example, the horse button above comes from the letter A, as in Artid (or the British Artid Plastic Company.)

B is for Bakelite.

And B is for Bimini Button.

P is for Paris Backs. And Picture Button.

H is for Horn, and so on and so on. You get the idea.

It’s clearly a work in progress since there is room to grow in terms of entries. But suffice to say, it satisfies my organizational compulsion nicely!

Contemporary Japan, Meet Vintage European ads. A perfect combo.

I almost hyperventilated when I saw these charms and more from Portes Cles. . So in love here.

Okay, so you need to go to their site to see how truly cool these are. They move, like holograms, but better.

It’s all about vintage European imagery, and it totally works for me.

Not a fan of the clear plastic? There’s metal too, and it’s just as compelling for me.

I want that one of the girl, in the middle, with the swoop in her hair. Or perhaps the elephant. Or the secretary. Or the…

Astro Boy is popping up all over! (At least, in these vintage pop-up books.)

The Astro Boy origin story, told in pop-up.This Vintage Astro Boy Pop-up, from 1976, is colorful, vibrant, and in gorgeous condition. And I found it at my new favorite browsing grounds, A Japanese Book or Un Livre Japonais.

 

 

Not such a fan of that story line? There’s another vintage Astro Boy pop-up book from 1977 that might strike your fancy.

The second title is circa 1976, and just as compelling.

Contact A Japanese Book if you are interested, and check out their wide selection of vintage pop-ups so you can feel the same longing that I do.

 

The Japanese Woman – Just like James Dean

You know by now that I love my vintage goodies. My friends do too and I got a terrific and unexpected little gift a few days ago, this vintage book called The Japanese Woman, A Pictorial.

Published in 1957, it is complete with some great images, and some equally compelling text. Published by the Japan Travel Bureau, the book is intended to show a slice of life in the world of Japanese women. And includes text from both the “Western” perspective and that of a Japanese woman.

The book begins with an introduction, part of it written by scholar Edward G. Seidensticker. What a name!

The Japanese woman is being liberated. She no longer consents to sit int he dark simply because men prefer fair skins, and if she finds the old kimono unhealthy and uncomfortable so says so, and proceeds to dress herself in comfortable Western clothes–and to my mind, she does it with uncommon skill. The Japanese woman, in short is no longer willing to reduce herself to a cipher, even if that is what her lord demands

Okay, let’s pause for a second and just take a look at the platforms on those Geishas. Dang, girls!

Seidensticker also has some words for the men of Japan.

We must wish her the best. The last people in the world to recognize the virtues of Japanese women seem to be Japanese men…Japanese men continue to treat their wives like servants, to address the in grunted monosyllables, and to claim for themselves liberties that almost anywhere else in the world would lead either to the police court or to the divorce court. If wives are no longer going to put up with this sort of thing, more power to them.” Heck yeah!

The book starts with the kind of Geisha images we are all primed to expect.

The geisha is literally a person of pleasing accomplishments and is instructed solely to be that.

Geisha girls at a spa can be charming companions for city people seeking temporary relaxation at one of these scenic spots.” Hmmmm.

At the same time, the book also presents “the viewpojnt of a Japanese woman,” by Foumy Saisho. Saisho was also the voice of Madame Tojo on Radio Tokyo.

Saisho says that “unobtrusive usefulness and decorative value were the only things tolerated about the Japanese woman in her relationship to man as a species.” The war, however, and other things was changing the way Japanese woman perceived both themselves and their relationship to men.

The Japanese woman today in fact is not restricted by anything except by her own self-created psychological fetters…The prewar sense of values still dominates the social mores and threatens too independent girls with the dread of a manless future unless they ‘reform’ and conform to the old ways.

“Youths placed in this predicament often become rebels whose sentiments are of the late best expressed cinematically by the late James Dean or the oversexed charmer you see in the French films.” Japanese women – the new James Dean.

What does Siasho suggest? “The international marriage, it seems to me, is another outlet for the youthful rebels. Ironically, it is to their despised tradition that these rebels own much of their success in landing such marriages, since the foremost qualities that attract Europeans toward the Japanese woman are said to have something to do with her deep-rooted sense of regard and respect toward menfolk.

Can’t get married in Japan? Snag yourself a European guy.

Of course work is always another option.

This smiling corn woman is part of the Women at Work section.

These woman were making bento to be sold aboard trains, or at station platforms.

This is one of my favorite images. Look at this! 6 trays! Puts my waitressing days to shame.

The maids of the Japanese inn are hard workers. They carry heavily laden trays to the rooms, and when a dinner party is held in the hall, the experience of balancing many trays in tiers makes them quite good at acrobatics.”

Yeah. I think so.

The JAL flight attendants STILL look this amazing. But they were called stewardesses then.

Stewardesses of the Japan Air Lines: in both looks and personal accomplishments they are considered above average Japanese women.

Does that make them flying geishas?

It’s not all work though.

Women at judo enthusiasts, too. Though their number is negligible as compared to that of the men, about one thousand women practice the art.”

Sometimes, however, it’s all about the child care. And I confess, this is the image I struggle the most to understand.

Izumeko, a baby basket. The farmers in the north must leave their babies at home unattended during the busy rice season. They cannot afford baby-sitters; hence this device. Snug in special baskets of this sort, babies are in no danger of crawling around and hurting themselves.” Seriously? Is this for real? Anyone know?? I know the baskets exist, but parents off to the fields and leaving the kids? I don’t know about that.

The book is filled with images like these, and will go in my archive of “Books I Can’t Bear To Cut Up.” Would you like to see more? I’m happy to share.

And of course, Happy Friday!

Let the Moomins carry your lunch.

I am completely in love. A vintage Moomin Lunchbox from Japan. Swoon!

Cherry Island-Seeing Japan through a vintage lens.

By now, you know my penchant for Vintage materials I could use for crafting. (Whether or not I actually get around to the crafting part is another story.)
My newest desire? This lot of Vintage Japanese Magazines. Not sure what’s inside, since the seller showcases only a few pages, mostly ads, but the covers themselves offer just enough to inspire me.

Sometimes, all it takes is a pretty picture to make me happy.

And this one does the trick just perfectly.

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I know it’s Spring now, at long last, but I love this image of the Asakusa Temple in Winter, from 1810.

Japan in the 60s – or my new vintage book I can’t bear to cut up!

Last weekend was the big used book sale in my town. I scoured the tables, gathering books to use for ephemera projects, and stumbled upon this treasure.

I was instantly captivated by the illustrations by artist Taro Kurotani. I can’t find much biographic information about him, but the drawings are lovely, and too nice for me to consider cutting this up for craft projects.

The book itself, published in 1968, has some sections that are slightly more progressive than I might have expected.

Japan: Islands of the Rising Sun introduces the reader to the beautiful and busy islands of Japan, and to their people – at home, at school, at work, and at play. The past is sketched in, with emphasis on influences that have shaped today’s patterns of living. The old-world charm of kimono-clad ladies, quiet gardens, dashing samurai warriors, and colorful festivals is not forgotten. But the heart of the book is the life of today, seen from the point of view of young Japanese.

Embracing tradition, but also modernity. Okay. There are possibilities there.

And I love the endpapers. Wish I could frame this map!

There are some, however, examples of Japanese progress that are questionable at best.

New, industrial Japan arose from the ashes of the old.”

Ahh, progress. Smokestacks surely mean progress.

“The end of World War II saw Japan with her cities destroyed, her homes and factories in ruins, her army and navy disbanded in defeat…It seemed a sad time for Japan.

Okay, why is Japan a woman?? But never fear.

The Japanese wasted little time feeling sorry for themselves. Instead they went to work, with the aid of the Americans. In record time the burned cities were rebuilt…Factories were rebuilt, larger and more efficient than before. Whole new industries were developed.

Feeling sorry for themselves? What? Oh dear.

At the same time, some of the vintage photos are awesome, and so 60s.

This photo broke my heart a bit.

People of the city of Sendai decorate their gardens and streets for Tanabata in honor of the star lovers.

Sendai is apparently well known for this festival, honoring lovers able to meet only once a year.

Tanabata (七夕?, meaning “Evening of the seventh”) is a Japanese star festival, originating from the Chinese Qixi Festival. It celebrates the meeting of Orihime (Vega) and Hikoboshi (Altair). According to legend, the Milky Way, a river of stars that crosses the sky, separates these lovers, and they are allowed to meet only once a year on the seventh day of the seventh lunar month of the lunisolar calendar. The celebration is held at night. (via)

Let us hope that as Sendai and Japan recover, the Tanabata festival gives people hope for the future of the region.

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