Category Archives: White-Wash

Freddy Krueger-The Last Airbender

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We got a catalog at home the other day, and yes, it’s all about Halloween. Who knew we should start thinking about that now? In August. Mid-August, when Halloween is months away. After this mailing, I live in fear of Halloween and the idea of tiny Aangs and Kataras running through my neighborhood.

Apparently, I should snatch up one of these striking Last Airbender costumes before they’re all gone. (Excuse the cruddy photos. There was some catalog juice spillage as my son debated his Clone Wars costume choice. Ugh. Let me not even start on my tirade about how much I hate his love for the store-bought costume.) Let’s evaluate these Last Airbender goods, shall we?

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Don’t these look like quality goods? Let’s assess. To begin with, there’s the absolutely dismal quality of these outfits. Ridiculously cheap looking. Right? But it’s more than that.

What are these poses the children are doing? Is it some kind of martial arts/bending homage that I’m just not getting? And why does it look a little like she has roller skates on under that Katara outfit?And I’m sorry, but no one looks like Katara without some cool hair loopies in front. How hard is that, really?

The kid in the cape looks completely freaked out, like something very wrong is happening there and he’s been forced to stand at attention, with his arms in an extremely awkward postition. Perhaps he feels uncomfortable because of the way his pink pajama outfit legs are twisted? (See the large Aang.)

Let’s take a closer look at Aang-I mean Ong-I mean Aang.

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I’m sorry. I thought it was Aang. But it’s not. Apparently, it’s Freddy Krueger dressed as Aang, because that is the only thing that can explain that face and mask! Yikes.

I found a closer look, and actually, I think it’s Zombie Aang.

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But, you might argue, surely these costumes are at least affordable? Nope. $59.99 for Katara, necklace sold separately, of course. $59.99 for Aang too, unless you want the cape for $19.99, and the staff, another $12.99. Surely in every family budget for Halloween!

Looking at these bits of awfulness made me wonder what others had done instead. Check out this terrific set of costumes, made for $15! And Aang’s Glider snaps open. Homemade Goodness.

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That’s right. $15. DIY Rocks. Just say no to pre-fab Aang and Katara.

If they’d only said Aang even one time! Viewers react to the Avatar film

People-I believe my Avatar work is done. Check out how the film is imploding. Insert Evil Laugh Here!!

Aang or Ong?

We took a jaunt to our local Barnes & Noble today and here’s the Avatar display that greeted us.

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Okay–what are my issues with this? First of all, trying to mix the movie with the real Aang? It just doesn’t work.

Second, let me say one of the things that we, as a family, loved about Avatar. Aang, Katara, Sokka, and the gang–they felt “real.” Okay, not real-real. They felt like kids, pushed into situations with seemingly insurmountable odds. And yet, they were still kids. Aang was playful and sometimes goofy. There was laughter and silliness, and a sense of childhood amidst the storm.

Aang was a reluctant hero, not the warrior youngster we see posing in these photos. Look at the difference from our Aang

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and this one:

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Here’s what the Nickelodeon site has to say about Aang:

Aang is a hero – a 12-year-old hero who likes to stir up trouble. Raised by Airbender monks in a temple hidden in the mountains, Aang is the last Airbender and the only known survivor of the Air Nomads. It’s Aang’s destiny as the Avatar to master all four elements – Air, Water, Earth and Fire. But he’d rather search for adventure than save the world. Though he’s very spiritual, Aang doesn’t like being known as the mythical Avatar or being the center of attention, he just wants to be a normal kid. Aang loves animals, especially his giant flying bison, Appa, and his pet winged-lemur, Momo. He’s quick to take detours along his journey, much to the dismay of Katara and Sokka, and he’s a master of getting himself into sticky situations. Luckily for all three of them – and the rest of the world – he’s pretty good at getting out of them too. (via)

Not only did the books look like junk–they clearly, were not about our Aang. Oh, and excuse me: his name ain’t Ong.

The Last Airbender-Aang STILL Ain’t White

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The Last Airbender is coming. My family and I see the ads, and at a trip to Barnes & Noble the other day, looked at a shelf of Last Airbender Mad Libs, Movie tie-ins of all sorts, and The Lost Scrolls, a collection from the original series. The last, of course, was the one that did not fit in. The rest featured the cast of the movie, a movie my husband and I have explained to our son, we will not be seeing.

As a family, we watched the original series avidly, somewhat obsessed and dictatorial about the fact that “no one watches Avatar without the family.” It was something we could share and enjoy, characters we grew fond of and could imitate at playtime, walking the dog together. “Mommy, who do you want to be?I’m going to be Aang.” (For some reason, I always chose Toph. Although I like her as a character, anyone who knows me knows that Katara would be a bit too girly for me.)

Now, the movie is here, and our entire Avatar experience grows complicated. On our dog walks, my husband and I explain to our son that we will not be seeing this movie. Here I am, a white woman telling my Korean-American son that we will not be seeing this movie because, well, the characters look like Mommy and Daddy, and not like him.

We talk about what they looked like in the show. “Honey, when we watch Avatar, do they look more like you or more like Mommy and Daddy?” He looks at me like I am idiot and says “More like me.” (The DUH is implied.)

But does he get it? Am I doing enough? Do I have to harp on this again and again until he feels like I am a broken record? How much is too much and how much is not enough? How do I, as a white woman, make sure that I am educating my child about racebending, while also teaching him to be a strong, proud ethnically-Asian man? And do I ruin the original story and our playtime fantasy life by mentioning the movie again and again?

At Barnes & Noble, he grabs the The Last Airbender Mad Libs and says, “Mommy, I wish we could get these just to make fun of the movie.” But what does he mean by that or really understand? Is this just his way of angling for some new Mad Libs?

Then, he points to an image of Aang from the movie and scoffs at it. “Look at his arrow, Mommy. It doesn’t even look real. It’s not even colored in all the way.”

Part of the joy of watching Avatar with him the first time was watching him see strong, ethnically-Asian characters he could admire, but not necessarily having it be just about that. In the backyard, he would wield his “staff” and play Aang. We debated which type of bending we would each choose and, in the same way that we play Star Wars, involved ourselves in the characters, playing our roles as he immersed himself in the world of the story. It was about fun and fantasy, and the great thing about it was the unlike so many of the stories he admires, it reflected him in a way that Star Wars or Ben 10 or Generator Rex do not.

As I write this, I just told my son what I was doing and asked him what he understood of why we would not be seeing the movie. He answer was “that none of the characters looked like anyone in the show because they only used white people.” So maybe he is getting it. And what’s important to me is that we continue having the conversation, despite how annoying he might think I am sometimes.

Today, as a family, we go off to see the new Karate Kid movie. I am not sure what we will find, or what conversations it will require, but at the very least, the Karate Kid ain’t white.

More Avatar Protest News

For those of you who have been reading this blog, or the Essentials blog, know that all of us at Japanistic are peeved about the whitewashing going on with Avatar The Last Airbender. If you want to get involved, and are in the LA area, check out what’s coming up soon:

  1. April MANAA meeting.  MANAA is currently advocating alongside the fans on this issue.  If you would like to learn what they’ve learned (some of which can’t be discussed online) and would like to help plan, please attend the April 16th MANAA meeting in Los Angeles Chinatown: http://www.facebook.com/l.php?u=http://www.manaa.org%2F
     
  2. Take a stand at ComicCon.  At the panels, someone needs to ask–politely–the hard questions.  If you will be attending ComicCon and would like to be this person, please message Marissa Minna Lee.

You can learn more by contacting Marissa Minna Lee through the FaceBook page of People Against Racebending: Protest of the Cast of The Last Airbender Movie.

Avatar Film Set Exposes Ongoing Whitewashing

Here’s an interesting piece from the Aang Ain’t White Journal on how the Avatar film set is further exposing the production as a racist whitewash. Here is a sample of the images they put up on their site:

Racebending Petition Needs Your Help

avatarThe folks over at People Against Racebending: Protest of the Cast of The Last Airbender Movie have got a petition they are asking people to sign to protest the casting of the title roles in The Avatar. I signed it and encourage you to sign it or at least read it. More information about the petition can be found here and here.

Dragonball Evolution Opens in Japan

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For those of you following the adaptation of Dragonball Evolution, here is nice shot of the main actors at the opening at the Nippon Budokan on Tuesday night. What a nice looking group. From left to right they are: Joon Park, Jamie Chung, Eriko Tamura, Chow Yun-Fat, Justin Chatwin, Emmy Rossum, James Marsters, Megumi Seki and director James Wong.

Another whitewash, but at least more diverse than the upcoming Avatar: The Last Airbender. M. Night take note!

More White-Washing News

Thanks to HacaTV for this article on the ongoing mess known as Yellow-face and White-washing. I have shortened it for this blog. HacaTV speaks primarily to the issue that Hollywood should be making more animated films and fewer adaptations. I personally don’t mind the idea of the adaptation. What I care about is the fact that the people in charge of “translating” the story do so in a racist and small-minded way and as the author points out below, it is only getting worse. The upcoming film Cowboy Bebop will be Keanu’s SECOND role as an Asian.

charlton heston news: Fund animators, not adaptations

If the response across the web is any indication, fans of Cowboy Bebop are mostly infuriated by the news, with a hopeful few clinging to the notion that Keanu’s anime fandom will translate into a performance along the lines of, well, faithful cosplay.

But add it to news of Leonardo DiCaprio’s live-action Akira, (with Joseph Gordon Levitt playing Tetsuo), and a live-action Ninja Scroll, plus M. Night Shyamalan’s live-action whitewash of Avatar: The Last Airbender,* and we’re looking at a definite trend of live-action anime adaptations, the first of which to hit screens being Dragonball Evolution, which also features white actors playing roles originally created, written, directed, animated, and performed by Japanese people.**

According to Edward Said, one of the principles of Orientalism is a belief that Asia cannot speak for herself, and that the West must do it for her, constantly re-interpreting and clarifying the “mysteries of the Orient” for Western audiences, regurgitating the complexities of other cultures into an easily-digestible whole. The trouble with the Orientalist position is that it creates a false discourse that operates on the premise that a whole country and its inhabitants can be reduced to a single brand identity, a cognitive simplification equivalent to saying that “all anime is tentacle porn.” Moreover, it assumes a fundamental incapability of the Western mind to grasp the multi-faceted nature of that which is Other, because “the gaijin won’t get it.”

But as all anime fans know, this is simply not true. However one feels about fansubs and scanlations, they frequently take the time to explain to an eager and intelligent audience the delicate nuance of a Japanese reference or phrase or pun. And if the recent developments at Crunchyroll have proven anything, it’s that anime fans want anime, and they want it animated, and soon, not months or years from now.

*I include Avatar: The Last Airbender on this list because it featured both characters and actors of colour: Katara and Sokka, originally dark-skinned (like all Water Tribe people), are now being played by white actors. And while white voice talents were employed, so were Asians: Mako, George Takei, George Hong, Dante Basco, Tsai Chin, and Sab Shimono all contributed their talents (although frequently as guest stars rather than leads, with the exception of Mr. Iwamatsu and Mr. Basco). Notably in Shyamalan’s live-action cast is the replacement of Mr. Basco (a Filipino-American who has appeared in live-action films and television) with a blond, blue-eyed pop star.

**And Korean people, let us not forget. Korean animation studios frequently do “in-betweener” animation for both Japanese and American productions, and have done so for years now. This is also true of the afore-mentioned Avatar.

***One could also argue that the role of Spike Spiegel is not Japanese — Spike was born on Mars, and we don’t know his ethnicity. But the characters of Akira and Ninja Scroll are definitely Japanese.

Image credit: Slashfilm

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